Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
Sound & Vision in Avantgarde & Mainstream
Dieter Daniels
The relationship between sound and vision in four steps: - Gesamtkunstwerk and audio-visual media technology in the 19th century, - avant-garde film and music in the 1920s, - video art and new music in the 1950s/60sVideokunst und neue Musik der 1950/60er, - techno-culture and today's media artTechnokultur und heutige Medienkunst. The three main themes: - interplay between visual and acoustic arts: composition, work concept, perceptual effects and technology, - transferring technical principles between sound and visual media , - avant-garde concepts as precursors of mainstream culture. [more]
Perception—physics—art Culture industry—media technology—avant-garde The pre-history of audio-visual media and arts 1870–1910 Early avant-garde and the audio-visual media in the 1920s Electronic media art in the 1950s and 60s Avant-garde and mainstream since the 1990s