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Jill Scott »Frontiers of Utopia«
Charlotte Davies «Osmose»
Günther Selichar »Sources«
Samuel Beckett «Eh Joe»
Jochen Gerz «Marsyas (From Death, Out Of Life)»
Karlheinz Stockhausen
«Study II»
In further developing Arnold Schönberg’s twelve-tone technique, promoted by his students Alban Berg and Anton von Webern, not only should pitch and pitch duration be aligned, but now too, the mathematically-deducible details of tone coloring for the structure of the piece.
Karlheinz Stockhausen