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Categories: Photography
Keywords: Body | Simulation
Relevant passages:
Yvonne Volkart «Monstrous Bodies: The Disarranged Gender Body as an Arena for Monstrous Subject Relations»
Sigrid Schade «The Media/Games of the Doll - Contemporary Artists' Interest in Surrealism»
Check as well:
Charles Ray Yves Netzhammer Kirsten Geisler Yves Netzhammer «Grosse Spiegel werden verloren. Informationen von Abwesenheit, damit Anwesenheit entstehen kann.» Kirsten Geisler «Dream of Beauty»
Ulrike Rosenbach »Tanz um einen Baum« Aziz, Anthony; Cucher, Sammy (Aziz/Cucher) «The Dystopia Series: Maria» Keith Cottingham «Fictitious Portraits» Ulrike Rosenbach »Glauben Sie nicht, daß ich eine Amazone bin« Valie Export «Body Superimpositions with Historical Reproductions»
Dieter Huber
«Klone #92»
Dieter Hubers computer-generated photos treat the cloning and creation of a human being in a way that is both subtle and radical. Taking the tension between naturalness and artificiality as far as it will go, the images of intimate and tabooed body parts enhanced to achieve the utopian state of a medical vision function as an irritant.
The series «Klone» (Clones) involves plants, landscapes, and human beings—each time presenting something that has gone fundamentally wrong. Plants incorporate different flower genres, resemble genitals, or a naked man is pregnant etc. Huber uses his artistic technology as a kind of digital mimesis to genetic technologies—a phantasy that has been taken up by many artists and that has to be explored more in detail.
