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Categories: Action | Television
Keywords: Interaction
Relevant passages:
Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»
Works by Valie Export:
... REMOTE ... REMOTE Rounding off Adjugated Dislocations I + II From the Underdog File Autohypnosis Images of Contact Body Sign Action Cutting The Birth Madonna Eros/ion Body Superimpositions with Historical Reproductions o.T. Ping Pong Seeing and Hearing Space Visual Text: Finger Poem Split Reality Fixed Identity Tap and Touch cinema Touching Venus and Mars Time and Countertime Train Fitting
Check as well:
Peter Weibel «The Endless Sandwich»
Georg Nees «Schotter» Lynn Hershman «A Room of One's Own: (Echo Narcissus)» Nancy Burson »Chimären« Mariko Mori »Miko No Inori« Valie Export «Fitting»
Valie Export
«Facing a Family»
Valie Export's intervention in the electronic realm of television was pioneering work in 1971. In 'Facing a Family' she holds up a mirror – in the truest sense of the word – to TV consumers and the middle-class family. Broadcast as part of the 'Kontakte' magazine on Austria's ORF television, her TV action aims to analyze not the programme but the reaction it produces: one family watches another family watching television. A feedback effect is produced. The leisurely, real course of time directs our attention to the speechless conditions produced by TV, i.e. to the TV medium's coding of reality and perception.
