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Manfred Mohr «Cubic Limit»
Manfred Mohr, «Cubic Limit», 1972 – 1977
© Manfred Mohr
 


 
 

Categories: Image processing | Software

Relevant passages:

icon: authorTjark Ihmels icon: authorJulia Riedel «The Methodology of Generative Art»


France
 

 Manfred Mohr
«Cubic Limit»

In «Cubic Limit,» Mohr introduces the cube into his work as a fixed system with which signs are generated. In the first part of this work phase (1972–75), an alphabet of signs is created from the twelve lines of a cube. In some works, statistics and rotation are used in the algorithm to generate signs. In others, combinatorial, logical and additive operators generate the global and local structures of the images.
In the second part of this work phase (1975–77), cubes are divided into two parts by one of the Cartesian planes. For each image the two partitions contain independent rotations of a cube. They are projected into two dimensions and clipped by a square window (the projection of a cube at 0.0.0 degrees). By rotating both parts of these cubes in small but different increments, long sequences of images are developed.