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Categories: Video: 4 Text passages
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1. ![]() in a studio without an audience now became a performative act in which the viewer was likewise isolated (as in «Live-Taped Video Corridor» 1970). This attitude, which isolates the first person in both the processes of production and reception, was in line [more] ![]() |
2. ![]() camera is particularly powerful in spatial situations that include the observer. For example, Bruce Nauman produces in «Live-Taped Video Corridor» (1969–1970) irritations of the experience of space and time caused by the feeling of physical presence or [more] ![]() |
3. ![]() treatments of social surveillance devices include Vito Acconci («Following Piece,» 1969), Bruce Nauman («Live-Taped Video Corridor,» 1969–1970; «Video Surveillance Piece: Public Room, Private Room,» 1969–1970) and Dan Graham [more] ![]() |
4. ![]() closed-circuit installations to confront spectators with their own mediated image, while in Bruce Nauman's «Live-taped Video Corridor» (1970) the viewers found themselves being radically conditioned. These interactive installations were the first to meet [more] ![]() |