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Relevant passages:
Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»
Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» | 2 | 3
Works by Ulrike Rosenbach:
The Image of Woman in Postwar Times Wrapping with Julia Five Point Star Don't Believe I'm an Amazon Heracles – Hercules – King Kong Madonnas of the Flowers My Little Cabbage Or-Phelia Port of Paradise Reflections on the Birth of Venus School of Creative Feminism Sorry Mister Dance for One Woman Dance around a tree Female Energy Exchange For Ten Thousand years I Slept Drawing Hood
Check as well:
ATV Videorebellen Bruch, Klaus vom; Rosenbach, Ulrike Klaus, vom Bruch Marcel Odenbach
Web-Links:
Jochen Gerz »Der Kopf der M.« Jeffrey Shaw »Place-Ruhr« Abramovic, Marina; Ulay »The Lovers – The Great Wall Walk« Dan Graham «Body Press» Jeffrey Shaw «Viewpoint»
Ulrike Rosenbach
b 1943 Bad Salzdetfurth; 1964–69 studied sculpture at the Kunstakademie Dusseldorf; master-class student under Joseph Beuys; 1972 first videotapes and since then continuous work with video in tapes, installations and performances; from 1989 professor of new art media at the Hochschule der Bildenden Künste Saar, Saarbrücken; lives and works near Cologne.
Ulrike Rosenbach is the most renowned international video artist from Germany working with videotapes, installations and performances. She was one of the first artists in Germany to not only use video for documentation purposes but for experiments with the electronic image. Her videotapes were highly successful in their critique of the traditional representation of women. They helped to formulate an identity of women from a feminist perspective. For her, video is «not burdened with art history like painting.» With Klaus vom Bruch and Marcel Odenbach she formed the independent production group ATV, exploring «alternative television» in various ways.
