| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
Relevant passages:
Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» | 2
Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» | 2 Diedrich Diederichsen «Montage / Sampling / Morphing. On the Triassic of Aesthetics / Techniques / Politics»
Works by Robert Rauschenberg:
Check as well:
Web-Links:
Nam June Paik «Wrap around the World» Nam June Paik »McLuhan Caged (in Electronic Art II)« Nam June Paik »Random Access Music: Exposition of Music – Electronic Television« Jochen Gerz »Schreiben mit der Hand« Nam June Paik «Baroque Laser»
Robert Rauschenberg
b 1925 in Port Arthur, Texas (USA). He studied (1947–48) at the Kansas City Art Institute and at the Académie Julian, Paris, and then (1948–49) at Black Mountain College, North Carolina, under Josef Albers. Besides being known worldwide for his work with silkscreen collages which he began in 1962, he was one of the driving forces together with Billy Klüver of the theater and performances «9 evenings» (1966) and the foundation of the association Experiments in Art and Technology (E.A.T.) in 1967. He lives on the island of Captiva, off the coast of Florida.
