| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
Relevant passages:
Söke Dinkla «Virtual Narrations
From the crisis of storytelling to new narration as mental potentiality»
Gregor Stemmrich «Art and Cinematography» Diedrich Diederichsen «Artists, Auteurs, and Star. On the Human Factor in the Culture Industry» Frank Wagner «Le Détroit - An Experience rich in halftones»
Works by Stan Douglas:
Le Détroit Monodramas Onomatopoeia Television Spots Win, Place or Show
Gerry Schum «Land Art» Wolf Vostell «TV for Millions» PooL Processing »TXTouren«
Stan Douglas
b 1960 Vancouver, Canada. After one year, he abandons his studies at the Emily Carr College of Art, Vancouver (1982) and the artist remains largely autodidactic. The Concept Art tradition of the 1960s and 1970s is clearly evident in Stan Douglas’ work, even when his ordering attempts lean more so on the production methods found in the worlds of film and photography. He excels in incorporating new media technologies in his works, which always seem infected with popular genres. Meanwhile his installation art, oscillating between film, video and photography, ranks among one of Canada’s most important cultural exports. Douglas lives in Vancouver.
